With a desire to explore images, the body, and concepts related to cities, exploration, and intervention, along with the artist Ana Nieto, we documented a series of interventions in urban spaces.
As the observer behind the camera i not only capture her performance but also the reactions of people passing by.
From these transgressive experiences, we launched a call for dancers, which we named 'Danza subterranea' to explore how the city represses us and to intervene and reclaim it.
The subway of Buenos Aires became the primary space of intervention, resulting in various videodances, such as 'Corpus Ex Machina,' and its re-edition as 'Corpus Redux.
